A VALID REVIEW Article published MAY 3, 2019 by DOTSEYE

It’s 11:15 pm, my high school friend/assistant and I enter a semi-empty lot to a building of various studios, we were just sitting in the parking lot about to roll a Joint. A tall athletic figure approaches the car with an olive green Champion logo hat, white t-shirt draped with a flax seed color jean jacket, accentuated by an olive green handkerchief. Partially ripped black jeans, black footwear with a flax seed gum bottom- well put together, I said to myself. I roll down the window and asked how he got to the side of the studio, instead of the back lot where we were. “Cause I’m a jackass,” we laugh and head off to Inglewood.

He’s not much for words, in the beginning, approaching our destination he plays a couple of tracks he’s been working on recently, accompanied by two recent leaked songs off the album coming. Rauziels isolation process and ear for music is simply unique and refreshing. You can tell in the production and beat selection, he takes his time (which in reality watching the process seems like no time) to stitch every snare, high-hat and 808 to fit his warp of rhyming words and wordplay. The beat doesn’t lead him, he leads the beat.

Having been in music since the age of 15, school wasn’t always the forefront of what most of his time was spent doing. Prom, graduation and keeping various and unentertaining jobs were only attained to satisfy the sanity of his mother, and for her not to worry about the decisions he would make once high school was over. From grinding in the studio under the YFS umbrella to making it a semi-permanent residence in order to perfect his craft. Nights upon nights of sacrificing, parties, family time, long-standing friendships for recording, in order to be secure within himself. There was always a bigger picture for Rauziel to attain, fulfilling his potential as an artist has taken the front seat in his journey throughout the music industry journey.

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